That is embraced in the celebratory anthem "Back On Road" with former rival, but rap icon Drake, a haunting synth-fest that serves as a warning to the abandoners who didn't support Gucci during his restricted incarceration behind bars. However much hatred he has for the federal enforcers, it's obviously embodied a change within him to get clean, fit up, and be eternally grateful he's gotten a chance at redemption to get on track. Invigorated by hilarious, but true lines that he springs like "f**k the Feds, f**k the police, f**k the DEA", his blunt honesty enforces the fact that he doesn't like their sorry asses for attempting to lock him in for much longer than the two years Gucci received (apparently 20-30 years was their intention, according to him), and that he doesn't regret the risky, bombarding path he took to stardom. He immediately stomps in alongside deathly, grandiose synths and stringy, clanky bass in the personal, vengeful "No Sleep (Intro)", which is deemed his ultimate "f**k you" to those who sent him packing to prison in the first place and embracing the past self that he was. But as he said vigorously in G.O.O.D MUSIC's latest banger, the uplifting, confident "Champions", "it's over for you Gucci clones" and he shutters those who plagiarized his style in sheer, killing form in his raw, "f**k you, I'm back" comeback. Many local rappers and associates took under wing Gucci's banging, but chill sound. While Gucci was incarcerated, the Atlanta hip-hop scene curated through furiously with the "trap-rap" movement that sparkled under the direction of Gucci himself. Man, did prison-life change him for the better. His ascending, damning comeback "Everybody Looking" serves as the epitome of the after-effects of his lengthy incarceration, and the elegant return to the glitz and bling of success.
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It was cemented with his quick release, the bouncy "1st Day Out Of Tha Feds" that spoke out his true optimism of finally being free from the restrictive chokehold of the Feds.
Now, out of the penitentiary three months early, Gucci sees the opportunity of everyone's eye on him post-prison as a chance to return to the spotlight with a much-needed, critical comeback.
2014 would end up being the ultimate "wake-up call", taking two years in jail for illegal firearm possession by a felon and returning to the clanky life of being in a cell, going outside for a couple hours for fresh air, the theory that he was killed in prison and "cloned by the government", and otherwise awkward circumstances.
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For him, it was the lifestyle to get incarcerated, it's what began his career in the first place in sheer controversy: being accused of murder himself 11 years ago of killing an associate of Young Jeezy, and then afterwards going on and out of bars for the next decade plus which would vary in shortened prison sentences and fixating success. No matter the length of the sentence, it's taken a changing formality musically amongst the many prominent risk-takers who boded themselves into it, like it currently is with "WAVES" founder Max B (I.e the "Silver Surfer") serving a 75-year sentence for capital murder, or with the recent case of what occurred to Gucci Mane. In this day and age, prison never ceases to be an alternating life experience for the hip-hop industry and its unlucky choosers who get themselves immersed into its hard-knock, harsh premises and unforgiving lifestyle. Have you ever known the feeling of finally being liberated? You could ask Atlanta rapper and mogul Gucci Mane about that, finally knowing it and experiencing it these days.
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